NorthWrite 2019: Programme
5.30pm Friday 30 August
Conference mihi and meet-and-greet
Doors open at 5pm. At this welcome you will have the opportunity to meet with presenters and connect with other conference participants. Finger food will be provided and a bar will sell soft drinks, wine and beer. This event is free to participants who register for the full conference. For catering purposes we ask that you indicate your planned attendance when booking.
8.30am Saturday 31 August
Doors open at 8am. The conference starts at 9am. Please be seated by then.
9.15am Saturday 31 August
Kate De Goldi will open NorthWrite 2019, with her introductory address, Expanding Horizons.
10.30am Saturday 31 August
Top 10 Publishing trends (Smashwords webinar) – Jim Azevedo
Jim Azevedo of Smashwords will discuss book publishing trends and contemporary issues transforming the future of authorship. You’ll learn how the playing field isn’t just level – it’s tilted to the indie (aka self-published) author’s advantage. You’ll understand why the former stigma of being a self-published author is evaporating and being replaced with growing pride and professionalism. Delivered from the perspective of ebook self-publishing, this programme will provide writers with the knowledge to confront challenges and take advantage of the opportunities in book publishing today.
Boundary riding: Different forms for young readers – Kate De Goldi
Writing and publishing for children most often settles around familiar forms – stories, novels, poetry, educational non-fiction, and comics. But what about the personal essay, flash non-fiction, multi-modal narratives, personal art responses, narrative board games, language adventures that are not quite poetry or prose? This workshop will explore the imaginative extension possible for both writer and young reader when traditional forms are pushed, prodded, and sometimes abandoned.
Masterclass 1: Editing – Simon Minto
Qualified and experienced editors are eligible for this masterclass. This class will examine ideas around why people read and how stories work. It will look at different kinds of editing, from structural editing through to copyediting and proofreading, and will include an analysis of editing for structure, focusing on narrative arc, character changes, and flow. It will also look at effective and helpful ways of working with authors. Brief exercises will reinforce the ideas. This masterclass is limited to 15 participants and continues at 1pm Saturday.
Using fiction and poetry techniques to craft flash and micro fiction – Vivian Thonger
Explore flash and micro fiction by grafting and meshing literary techniques usually associated with poetry and longer fiction. Vivian will lead an open conversation about how poetry and prose styles and devices can be applied to short-short fiction. She’ll show lots of examples and share exercises for inspiration. Expect to join in!
1pm Saturday 30 August
Pre-publication steps for publishing your ebook – Leeanna Morgan
Have you written the next Jack Reacher novel and don’t know what to do next? Leeanna Morgan will demystify the world of self-publishing and show you how to share your book with the world. In this workshop you will learn about formatting, branding, covers, metadata, and the importance of awesome front and back matter. This workshop is valuable for writers publishing their book in ebook and/or print formats.
Senses and setting – Catherine Chidgey
Drawing on the senses can be a powerful means of both building a believable narrator and evoking a three-dimensional setting. Novelist Catherine Chidgey shares some examples of short stories that demonstrate this skill, before leading a series of bespoke exercises for beginner- to intermediate-level writers. Participants will leave with a wealth of new material to be shaped into a short story – or even a piece of creative non-fiction.
Masterclass 1: Editing – Simon Minto
This is a continuation of the editing masterclass. If you book to attend Masterclass 1: Editing, you must book to attend both sessions.
Adventures in transmutation: A conversation about poetry – Piet Nieuwland
Participants will explore what it is to create poetry in present-day Aotearoa. We will explore what it is to make poetry and how we make it, taking into account our post-colonial heritage, ballooning cultural diversity, and new communication tools. Participants will also be guided through a poetry writing process where they will create a draft of a poem and get inspiration and ideas for further creation.
3pm Saturday 30 August
Publication steps for publishing your ebook – Leeanna Morgan
In this workshop, Leeanna Morgan will show you how to create your author account and upload your ebook to online retailers. We will also discuss pre-orders, websites, newsletters, advertising, and social media marketing. This workshop is valuable for writers publishing their book in ebook and/or print formats.
Creative non-fiction: People and place – Harry Ricketts
We all have people and places that are special to us, that preoccupy us, lift us, puzzle us, haunt us. This class will encourage you to write about people and places special to you through a combination of discussion, short exercises and workshopping.
Masterclass 2: Novel – Catherine Chidgey
Check eligibility for this masterclass on this page. Bring out your tricky bits! In this masterclass, participants will explore how to turn a perceived problem or sticking point in their work into a strength. Catherine Chidgey will share some examples from her novel The Wish Child, as well as from her current work-in-progress, and we will then workshop your own ‘tricky bits’ with a view to finding a powerful solution.
Important: When you register for this masterclass, you will be sent an email detailing how to submit an extract (1500 words maximum) from a current novel-in-progress, along with a brief paragraph summarising the particular issue you are facing. You must submit this within five days of registration. You will also need to read the other participants’ work in advance. (It will be emailed to you). We will not be reading submissions aloud in the workshop, so it’s vital everyone is familiar with the material. This masterclass is limited to 10–12 participants and continues at 10am on Sunday.
Creating voices in fiction and poetry – Briar Wood
Writing guides sometimes use the phrase ‘finding your voice’, and then go on to explain that writing involves the expression of many points of view. How do we express ideas and produce characters that do justice to the multiple voices in our heads? How can we generate speakers who are credible and also articulate some of our own ideas? Which genres should we choose to carry these thoughts? This session will be about finding ways to create as many voices as possible in your writing.
6.30pm Saturday 31 August
Doors open at 6pm. The NorthWrite 2019 conference dinner is a two-course, sit-down meal. Soft drinks, wine and beer can be purchased from the bar. Entertainment will be provided by Improv Mob, a Northland theatre sports group.
9am Sunday 1 September
Morning tea and networking
Doors open at 8.30am. This is an opportunity to strengthen connections with other writers and build your support network.
10am Sunday 1 September
Creating your print book using online print on demand (POD) services – Leeanna Morgan
If publishing your book in a hardcover or paperback format seems daunting, this is the workshop for you! Leeanna will guide you through the process of creating your book using Amazon’s POD service and discuss the differences between IngramSpark, Draft 2 Digital and other POD services. Topics covered include formatting, pricing, covers, distribution, and set-up costs.
Self-editing and revision for writers – Simon Minto
This session looks at ways to polish writing and identify and remove empty text. Using a published story, it will explore ways to keep sentences active and make the language sparkle in the mind of the reader.
Masterclass 2: Novel – Catherine Chidgey
This is a continuation of the novel masterclass. If you book to attend Masterclass 2: Novel, you must book to attend both sessions.
Cultural considerations in writing – Eboni Waitere
The telling of Māori history has been fiercely debated – what happened, what to tell and who should tell it. The debate regarding Māori intellectual property rights has largely ignored the many ethical and moral issues that are of concern to Māori. This conversation is not for the faint-hearted. Join me to chew over the real cultural considerations in writing.
11.30am Sunday 1 September
Traditional publishing: Getting through the door – Eboni Waitere
So, you have slaved over your manuscript, and it’s been years in the making. You have put your heart and soul into the pages. Now what? Learn about the publishing process and what publishers look for when considering a manuscript for publication.
The young eye: Voice and perspective – Kate De Goldi
‘Children are new, though we are not,’ wrote the legendary children’s publisher, Ursula Nordstrum, and much of the great children’s fiction has at its heart a watchful child, scoping the wonder, puzzle, and absurdity of the new – adult driven – world they find themselves in. This workshop will explore the fictional child’s point-of-view and the business of ‘voice’, a mysterious alchemy of subject matter, point-of-view, tone, rhythm and language.
Masterclass 3: Poetry – Harry Ricketts
Published poets are eligible for this masterclass. Poems sometimes seem to come effortlessly, almost to write themselves. More often, we soon get stuck or find it hard even to get going. How might we kickstart a stalled poem? Alternatively, if we have been writing for some time, we can become used to certain ways of making poems, used to our own poems sounding and behaving in a particular way: how might we surprise ourselves, tap into other possibilities? Participants will be asked to submit in advance a single poem to allow Harry to tailor the masterclass to his audience. This masterclass is limited to 15 participants and continues at 2pm on Sunday.
Pursuing the Craft – Zana Bell
There’s nothing to beat that burning-bright moment when inspiration strikes. Words flow, time vanishes. But when the muse abandons us, writing becomes hard work – darned hard work. Craft and graft then come into play as we slog it out over months, over years. We’ll talk about writing practices and share approaches and routines that help get us into ‘flow’ – into the zone. Perhaps most importantly, we’ll discuss what drives us to write in the first place.
2pm Sunday 1 September
Publishing panel convened by Simon Minto
A panel discussion where representatives from Annual Ink, HUIA Publishers, One Tree House and Magpie Pulp will answer the questions you wish you’d thought to ask.
Plotting for a great story – Leeanna Morgan
Do you have an awesome idea but don’t know how to transform it into a great story? Join Leeanna Morgan as she combines Michael Hauge’s six-stage plot structure with a grid board and sticky notes to create the perfect visual journey of where your story is going. Suitable for all levels and forms of writing.
Masterclass 3: Poetry – Harry Ricketts
This is a continuation of the poetry masterclass. If you book to attend Masterclass 3: Poetry, you must book to attend both sessions.
NorthWrite 2019 Presenters
Kate De Goldi
Kate De Goldi writes fiction for all ages. She has been a recipient of the Michael King Writer’s Fellowship and twice winner of New Zealand Post Children’s Book of the Year. Her most recent novel, From the Cutting Room of Barney Kettle, won the Esther Glen Award in 2016.Kate teaches creative writing at schools throughout New Zealand and in 2019 will begin teaching a new course at Massey University, Writing for Children. She is co-editor, with Susan Paris, of ANNUAL and ANNUAL 2, literary miscellanies for 9-13 year olds. In 2018, Kate and Susan, in association with Massey University Press, established the children’s imprint Annual Ink, which this year produced its first novel for children, Hazel and the Snails by Nan Blanchard.
Kate will be presenting two sessions on writing for children. She will also present the keynote speech on Saturday morning and will represent Annual Ink on the publishing panel.
Catherine Chidgey is a multiple award-winner whose novels have attracted international acclaim. In a Fishbone Church, her debut, won Best First Book at both the New Zealand book awards and the Commonwealth Writers’ Prize (South-East Asia and South Pacific region). It also won the Betty Trask Award (UK), and was longlisted for the Orange Prize. Her second novel, Golden Deeds, was a 2002 Best Book in the LA Times Book Review and a 2002 Notable Book in the New York Times Book Review. Her novel The Wish Child won the 2017 Acorn Foundation Fiction Prize – the country’s richest writing prize. Radio New Zealand called it ‘a brilliant, brilliant novel…a masterpiece’, and The Times (UK) ‘a remarkable book with a stunningly original twist’. Other honours include the Katherine Mansfield Short Story Award, the $60,000 Prize in Modern Letters and the Janet Frame Fiction Prize. Catherine teaches creative writing at the University of Waikato and is currently completing her sixth novel. Later this year she will release her first children’s book, Jiffy, Cat Detective. She lives in Ngāruawāhia with her husband, daughter and odd-eyed cats. Catherine will be presenting Masterclass 2: Novel, as well as a writing technique session on senses and setting.
Jim Azevedo is the marketing director at Smashwords, the largest distributor of self-published ebooks. Since 2008, Smashwords has helped more than 140,000 authors, publishers and literary agents around the world release over 500,00 titles and distribute their work globally to top ebook retailers, subscription services and public libraries. Jim, a convert from Silicon Valley’s tech industry, brings a unique perspective to Smashwords’ indie ethos cultivated from his 17 years drumming, recording and touring with a local punk/metal/hard rock band. Twitter: @Smashwords or @jazzervedo. Jim will be joining us from San Diego via the powers of technology. He will present a webinar on current ebook trends.
Leeanna Morgan’s debut novel was published in 2014. Since then, she has published 32 contemporary romance novels and become a USA Today bestselling author. She enjoys the creative and business side of writing and, as an indie-author, looks forward to growing an even more successful writing career. With more than $1 million dollars in sales, self-publishing has given Leeanna opportunities she never thought possible. Sharing what she has learned with other writers adds value to her life and makes her feel proud to be a New Zealand author. For more information visit: www.leeannamorgan.com Leeanna will present two sessions on preparing and uploading ebooks, as well as a session on print on demand. She will also present a session on plot in the writing techniques stream.
Harry Ricketts teaches English Literature and creative non-fiction at Victoria University of Wellington, New Zealand. He has published around 30 books. These include eleven collections of poems (most recently Winter Eyes, 2018), literary biographies ‒ The Unforgiving Minute: A Life of Rudyard Kipling (1999) and Strange Meetings: The Poets of the Great War (2010) ‒ and a number of co-edited anthologies of New Zealand poetry. Harry will be presenting Masterclass 3: Poetry, as well as a writing technique session on creative nonfiction.
Simon Minto is an editor and writer, and he teaches publishing students at Whitireia Polytechnic. He’s edited countless novels, short stories, and works of non-fiction for all ages. While he wrangles words and grammar every day, he still delights in reading and discovering new writers. Simon will be presenting Masterclass 1: Editing, as well as a writing technique session on self-editing. He will also convene a panel discussion with publishers.
Eboni Waitere’s iwi affiliations are Ngāti Kahungunu and Rangitāne. She is the Executive Director at HUIA Publishers. HUIA strives to contribute to the awareness, education and understanding of Māori perspectives. Eboni will present a session on traditional publishing, as well as a conversation about cultural considerations in writing.She will also represent HUIA publishers on the publishing panel.
Vivian Thonger of Kerikeri is a writer, poet and performer with degrees in psychology and creative writing. She moved to New Zealand in 2014, having previously lived in London, Cornwall, the Netherlands and Washington DC. A master moderator, interviewer and qualitative research professional for 30 years, Vivian has conducted hundreds of creativity sessions and trainings. She has twice been resident poet/wordsmith at CollaboratioNZ. She is co-founder of the Bay of Islands Writing Group and member of Poetry Posse performance poets collective. Vivian’s flash fiction has been published in Bonsai: Best Small Stories from Aotearoa New Zealand (2018), Flash Frontier, Micro Madness and Flash Flood. Her poetry has appeared in Fast Fibres and Offshoots. She is twice winner of Northland’s Best Short Story prize. Vivian will facilitate a conversation about flash and micro fiction.
Piet Nieuwland lives near Whangarei. He has worked as a forester and as a conservation strategist. His poems and flash fiction have been published in numerous international print and online journals, including Landfall, Sonic Boom, Sky Island Journal,Otoliths, Atlanta Review,Pure Slush and Geometry. He is commissioning editor of Fast Fibres Poetry, performs poetry regularly, and sometimes writes poetry reviews. Piet will facilitate a conversation about poetry.
Briar Wood grew up in South Auckland. Until 2012, she lived in London, where she published poetry, fiction and essays while working as a university lecturer. Her Welcome Beltane (Palores Press, 2012) made poetic links between family histories and contemporary places. Briar’s recent collection, Rāwāhi focuses on her return to Northland, the place of her Te Hikutū ki Hokianga, Ngāpuhi Nui whakapapa. Rāwāhi was shortlisted for the Poetry Award at the 2018 Ockham New Zealand Book Awards. Briar has a PhD in Literature and tutors students in NorthTec’s Diploma of Creative Writing. Briar will facilitate a conversation about creating voices in fiction and poetry.
Zana Bell grew up in Zimbabwe. When she immigrated to New Zealand she began teaching while writing on the side – just to see if she could. This led to the international publication of six novels in various genres. Her articles and short stories have appeared in Landfall, New Zealand Geographic, History Scotland, Next and on National Radio. She is interested in all things historical, but women’s stories are her particular interest. Her writing has gained several awards including Single Titles Ten Best Books of the Year and the RWNZ Koru Award for Long Fiction. Zana has a PhD in Creative Writing and tutors students in NorthTec’s Diploma of Creative Writing. Zana will facilitate a conversation about pursuing the craft of writing.